The occupation of the Chernobyl nuclear power plant by the Russians as a metaphor for the "special operation": chaotic, poorly prepared and absurd.
Oleksiy Radynski’s latest film is built entirely from a remarkable set of archival materials: footage captured by industrial cameras installed at the Chernobyl Nuclear Power Plant in 2022. As the title suggests, the Russian army’s occupation of the facility becomes a metaphor for the entire full-scale invasion, one that was chaotic, ill-prepared, and fundamentally absurd. Here, propaganda gestures take precedence over real action: the removal of the Ukrainian flag from its mast or a theatrical distribution of bread staged for military YouTubers. Meanwhile, Russian soldiers, fumbling to disable the cameras, have no idea these are operated remotely by Ukrainians in a nearby building, nor are they aware of the radioactive dangers lurking in the forest where they’ve been ordered to dig trenches.
Konrad Wirkowski
Available only for screenings at KINOMUZEUM.
2025 Berlinale
2025 Thessaloniki IFF
2025 DokuFest