The occupation of the Chernobyl nuclear power plant by the Russians as a metaphor for the "special operation": chaotic, poorly prepared and absurd.
Oleksiy Radynski’s latest film is built entirely from a remarkable set of archival materials: footage captured by industrial cameras installed at the Chernobyl Nuclear Power Plant in 2022. As the title suggests, the Russian army’s occupation of the facility becomes a metaphor for the entire full-scale invasion, one that was chaotic, ill-prepared, and fundamentally absurd. Here, propaganda gestures take precedence over real action: the removal of the Ukrainian flag from its mast or a theatrical distribution of bread staged for military YouTubers. Meanwhile, Russian soldiers, fumbling to disable the cameras, have no idea these are operated remotely by Ukrainians in a nearby building, nor are they aware of the radioactive dangers lurking in the forest where they’ve been ordered to dig trenches.
Konrad Wirkowski
Dostępna wyłącznie w przypadku projekcji w KINOMUZEUM
2025 Berlinale
2025 Thessaloniki IFF
2025 DokuFest